![]() Nevertheless there’s enough on here to call Turner’s roll of the dice, in his swanky dreamed-up casino, a real success. The Last Shadow Puppets-esque ‘She Looks Like Fun’, for example, is a lukewarm mid-tempo meander that offers little more than aesthetic padding. Its second half is guilty of this on more than one occasion. However, it’s prone to floating into purposeless space. ![]() ![]() This is a measured and cohesive cinematic journey – as if soundtracking a sheeny noir sci-fi hit – twisting with cohesion and regularly orbiting beauty. The frontman has spearheaded the creation of a sharp and palette-cleansing left turn, one that will do anything but draw consensus in an increasingly fragmented fandom. “Maybe the ambition lies in the studio a little bit more now,” he answers.įive years later and Turner’s grand studio ambitions have been realised. What else is there to achieve?” Susanna Reid asks Turner, back in a 2013 BBC Breakfast interview. “You’ve done five albums now, you’ve done the Olympic opening ceremony, you’ve headlined Glastonbury twice and you’ve won all sorts of awards.
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